'the epic theatre purposes (sic?) to 'deprive the stage of its sensation derived from subject matter'. thus an old story will often do more for it than a new one... historical incidents would be the most suitable'
- walter benjamin, what is epic theatre? in illuminations.
walter benjamin describes brecht's theorisation of his own method and what he has learned from chinese theatre.
yesterday jollies in kilvert land with a parish dinner followed by a game of football.
'after dinner all the men played, or rather kicked, football and each other and then til it grew dark, when the game ended in a general royal scuffle and scrummage...'
today a ghost story
kilvert goes to saffron hill. a child had drowned in a peat pit saturday 23rd september 1871.
the child had previously said they had seen a ghost a fortnight before crossing the bridge over the milw on the border of the parishes of clyro and newchurch.
'a tall person dressed in white and it looked down upon me. when I had got passed I looked back and I saw it looking after me.'
kilvert reports;
'mrs. watkins thought it must be the apparition of his mother who died when the child was four days old and prayed with her dying breath that the child might never be reared, but that it might be spared the miseries of the world.'
so what the folk(song) is going on?
of course these are not the kind of stories brecht would want, all 'sensation derived from the subject matter', all resonance, all ghosts.
the girl who is shot mistaken.. for a swan.
this morning sunshine (but light rain also).
imaginary journalist - ‘why do you write?’
horsemouth - ‘that is a question I ask myself.’