horsemouth at last reaches november (phew).
here he plays you november cotton flower by marion brown.
turning over the pages on his calendars
starter for 10? the triple negative calendar.
the heavy bones and the parson bird
the heavy bones - bird bones are heavy (despite being hollow) because they are very dense (apparently).
the parson bird or tui is a new zealand native. (so called because it has a little white tuft at its throat).
'like other songbirds it has a syrinx, a voice box set where the windpipe forks in two, and a tūī can work each branch on its own. so it can sing two notes at once and harmonize with itself, moving from bell-like chimes to clicks and wheezing creaks that sound less like a bird than a small broken orchestra...'
matthew's drawing
shows a parson bird and a cat that each have another animal within them - in the case of both a bird. the cat's breath seems to stink of fish however because it is manifesting the ghost of a fish from out of its mouth.
he has seen footage of a tui mewing like a cat (perhaps this is it). or maybe it's the introduction of cats to new zealand destroying the local bird population.
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it is the morning. horsemouth is up. he is dressed. he has his coffee. he has fed the chickens (and a robin just because it asked nicely).
today a journey up the hill to deliver eggs.
horsemouth has made it to november. he has escaped the purgatory that was october. (ok he did some interesting things in october - it wasn't a total loss).
the dark labyrinth goes well. lots of characters are left to die while others enjoy a greek idyll. it is a novel of flaws on its way to his later work.
horsemouth has assembled a track listing based on autumn/ spring/ summer/ winter. in a bit he will return to the work of listening and remembering.
