Wednesday, 2 July 2025

he may like it so much that he never returns to you (in this random eternity)

 '...I'm better when I haven't slept 

 and can't sleep, 

 I am more truly myself 

in this random eternity.'

- fernando pessoa, the book of disquiet, 

fragment 38 (152), dated 2nd july 1931. 

yesterday 

oof. horsemouth was doing a meeting in the morning. the time for consultations may be over the time to put the scheme of works in may be here.  

or we may have run out of time to put the scheme together and a simpler less complicated plan might be the way forward.  it is, in any event, a legacy project from the reign of horsemouth and people might not have the enthusiasm to get it done in the way he has proposed when he is gone. 

or it may be that it must needs be done over an extended timescale thus driving up costs in which case it is dead already (maybe). 

today 

the power will be off while the national grid (or whoever) do some work cutting back the trees that have grown up next to the power cables. horsemouth will endeavour to get all things done before they arrive. it is supposed to be a rainy day (so maybe that date will stretch). 

horsemouth will still be contactable on his mobile (as long as he remembers to plug it in and recharge it- ok he's doing it now) but he will be out of internet and landline contact for the duration - he will be on an internet fast/ digital detox.

who knows! he may like it so much that he never returns to you.

interesting (or rather, this could get interesting). the water from the common has cut off. apparently there's a leak somewhere and they're out looking for it. 

horsemouth is trying to get the last few sentences in before the juice cuts off. 

Tuesday, 1 July 2025

the real satie-day

 on the centenary of erik satie's death 

'satie teaches what, in our age, is the greatest audacity: simplicity' - jean cocteau

in many ways one of the great things about erik satie is that he comes from outside. he comes from the world of  cabaret, of jobbing musicians and songwriters, and into a (grudging) kind of classical acceptance. 

his is an era where the piano has democratised music making and music theory overlaying earlier folk forms but it is a very grudging acceptance because he is not writing (until the end) the extended pieces that are expected of classical composers. 

debussy and ravel are hastily wheeled on to attest for his bona fides (but not les six, or subsequent composers he was an influence on, because they are not well known enough, the cultural position of modern classical music having fallen in the meantime). 

'despite being a musical iconoclast, and encourager of modernism, satie was uninterested to the point of antipathy in innovations such as the telephone, the gramophone and the radio. he made no recordings, and as far as is known heard only a single radio broadcast (of milhaud's music) and made only one telephone call.' 

new fragments of satie have recently been released.

pianist alexandre tharaud plays 27 short pieces by satie discovered in archives and published for the first time, the fruit of research carried out by satie specialists sato matsui and james nye.

in addition to being the centenary of the death of erik satie it is also the birthday of rashied ali

today a cool morning (but that doesn't mean very much).